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28 Days the Valley
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28 Days the Valley
Current price: $12.59
Barnes and Noble
28 Days the Valley
Current price: $12.59
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Size: CD
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DOROTHY
's 2016 debut,
ROCKISDEAD
, kicked up plenty of Sunset Strip sleaze, a sensibility that is completely absent from its 2018 sequel,
28 Days in the Valley
. Teaming with
Linda Perry
-- the former
4 Non Blonde
who later went on to pen hits for
P!nk
and
Christina Aguilera
--
strip away any element of down-and-dirty hard rock, preferring to create a heavy, melodramatic ode to Los Angeles. Lead singer
Dorothy Martin
co-wrote the album with
Perry
and, more than that, she's adopted her collaborator's penchant for exaggerated theatricality. Her overheated vocals mesh with music that owes more to classic rock bloat -- think a hybrid of
the Doors
Jefferson Airplane
-- than '80s grime, so
feels like it's drifting on its own in the 2010s: there may not be many hard rock bands kicking around in the 2010s, but certainly none that sound like
do here, as if they're a '90s post-grunge band wishing they'd been around in the glory days of the '70s, when rock & roll still meant something. ~ Stephen Thomas Erlewine
's 2016 debut,
ROCKISDEAD
, kicked up plenty of Sunset Strip sleaze, a sensibility that is completely absent from its 2018 sequel,
28 Days in the Valley
. Teaming with
Linda Perry
-- the former
4 Non Blonde
who later went on to pen hits for
P!nk
and
Christina Aguilera
--
strip away any element of down-and-dirty hard rock, preferring to create a heavy, melodramatic ode to Los Angeles. Lead singer
Dorothy Martin
co-wrote the album with
Perry
and, more than that, she's adopted her collaborator's penchant for exaggerated theatricality. Her overheated vocals mesh with music that owes more to classic rock bloat -- think a hybrid of
the Doors
Jefferson Airplane
-- than '80s grime, so
feels like it's drifting on its own in the 2010s: there may not be many hard rock bands kicking around in the 2010s, but certainly none that sound like
do here, as if they're a '90s post-grunge band wishing they'd been around in the glory days of the '70s, when rock & roll still meant something. ~ Stephen Thomas Erlewine
DOROTHY
's 2016 debut,
ROCKISDEAD
, kicked up plenty of Sunset Strip sleaze, a sensibility that is completely absent from its 2018 sequel,
28 Days in the Valley
. Teaming with
Linda Perry
-- the former
4 Non Blonde
who later went on to pen hits for
P!nk
and
Christina Aguilera
--
strip away any element of down-and-dirty hard rock, preferring to create a heavy, melodramatic ode to Los Angeles. Lead singer
Dorothy Martin
co-wrote the album with
Perry
and, more than that, she's adopted her collaborator's penchant for exaggerated theatricality. Her overheated vocals mesh with music that owes more to classic rock bloat -- think a hybrid of
the Doors
Jefferson Airplane
-- than '80s grime, so
feels like it's drifting on its own in the 2010s: there may not be many hard rock bands kicking around in the 2010s, but certainly none that sound like
do here, as if they're a '90s post-grunge band wishing they'd been around in the glory days of the '70s, when rock & roll still meant something. ~ Stephen Thomas Erlewine
's 2016 debut,
ROCKISDEAD
, kicked up plenty of Sunset Strip sleaze, a sensibility that is completely absent from its 2018 sequel,
28 Days in the Valley
. Teaming with
Linda Perry
-- the former
4 Non Blonde
who later went on to pen hits for
P!nk
and
Christina Aguilera
--
strip away any element of down-and-dirty hard rock, preferring to create a heavy, melodramatic ode to Los Angeles. Lead singer
Dorothy Martin
co-wrote the album with
Perry
and, more than that, she's adopted her collaborator's penchant for exaggerated theatricality. Her overheated vocals mesh with music that owes more to classic rock bloat -- think a hybrid of
the Doors
Jefferson Airplane
-- than '80s grime, so
feels like it's drifting on its own in the 2010s: there may not be many hard rock bands kicking around in the 2010s, but certainly none that sound like
do here, as if they're a '90s post-grunge band wishing they'd been around in the glory days of the '70s, when rock & roll still meant something. ~ Stephen Thomas Erlewine
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